http://hdl.handle.net/123456789/1504 2026-04-21T19:00:57Z 2026-04-21T19:00:57Z Carl, Florian http://hdl.handle.net/123456789/6946 2022-01-11T09:49:09Z 2014-01-01T00:00:00Z

The ritualization of the self in Ghanaian gospel music Carl, Florian 29p:, ill.

2014-01-01T00:00:00Z Carl, Florian http://hdl.handle.net/123456789/6945 2022-01-11T09:44:39Z 2011-01-01T00:00:00Z

The representation and performance of African music in German popular culture Carl, Florian 27p:, ill.

2011-01-01T00:00:00Z Carl, Florian http://hdl.handle.net/123456789/6943 2022-01-11T09:38:20Z 2015-01-01T00:00:00Z

Music, ritual and media in charismatic religious experience in Ghana Carl, Florian 16p:, ill.

2015-01-01T00:00:00Z Carl, Florian Kutsidzo, Rosemond http://hdl.handle.net/123456789/6942 2022-01-11T09:33:40Z 2016-12-16T00:00:00Z

Music and wellbeing in everyday life: An exploratory study of music experience in Ghana Carl, Florian; Kutsidzo, Rosemond In this paper we highlight the experience of music in everyday contexts in Ghana. Using the Experience Sampling Method (ESM) and semi-structured interviews, we examined how people experience and use music in everyday life in potentially beneficial ways to enhance subjective wellbeing. In contrast to previous research where music’s self-regulatory role has been highlighted primarily in the context of solitary music listening, for the participants in our study music also played a crucial role as a form of social and participatory performance practice. This was particularly evident in the strong connection between music, religion, and social dance 18p:, ill.

2016-12-16T00:00:00Z