Abstract:
This thesis explores how boxing emerged In Ghana from both
indigenous and foreign (British) inventiveness, how it has shaped aspects of
Ghana's popular culture, and also examines boxing's social meaning and impact in the colonial and postcolonial milieux.
Furthermore, this work expands the popular conception of boxing as a "culture of the underprivileged" to embrace its vital significance as a stimulus to social mobility. On that trajectory. this work rethinks another socio-cultural meaning of boxing as a "sado-masochist" manifestation, which is counterproductive to "civilized" human culture,' by intellectualising it as a positive shaper of personal and national identities.
Additionally, this study discusses how boxing was resourcefully used by
the Ga-Mashie ethnie of Ghana, for cultural and economic empowerment, the
roles that its boxers. especially Azumah Nelson, have played in shaping the
history and foml of Ghana's "popular culture," and it uses Bourdieu's concept
of Habitus to investigate the proverbial gravitation of the elhnie to boxing.
Moreover, the thesis interrogates the "ghetto" beginnings and legendary
career of ex-champion and the International Boxing Hall of Fame inductee,
Azumah Nelson, and highlights how "ghetto" boxers can intemationalise
Ghana, and transcend social obscurity to affluence and fame. The work
nourishes the intellectual discourse on identity creation and social
empowerment through the popular culture of sports.
