When a woman is nude : A critical visual analysis of “Harlem” photograph

Coker, Wincharles

dc.contributor.author	Coker, Wincharles
dc.date.accessioned	2021-11-10T11:18:07Z
dc.date.available	2021-11-10T11:18:07Z
dc.date.issued	2014
dc.identifier.issn	23105496
dc.identifier.uri	http://hdl.handle.net/123456789/6417
dc.description	5p:, ill.	en_US
dc.description.abstract	This paper offers an alternative oppositional reading against the obvious, dominant taken-for-granted codes of scopophilia by which Aaron Siskind’s “Harlem” photograph is interpreted. The paper draws primarily on the works of French thinkers Roland Barthes and Jean Baudrillard to make the case that the nudity of the Black woman evokes a false sexual pathos and heigthens the fetishization of her body	en_US
dc.language.iso	en	en_US
dc.publisher	University of Cape Coast	en_US
dc.subject	Body	en_US
dc.subject	Code	en_US
dc.subject	Fetish	en_US
dc.subject	Nudity	en_US
dc.subject	Scopophilia	en_US
dc.title	When a woman is nude : A critical visual analysis of “Harlem” photograph	en_US
dc.type	Article	en_US