dc.contributor.author | Carl, Florian | |
dc.contributor.author | Kutsidzo, Rosemond | |
dc.date.accessioned | 2022-01-11T09:33:40Z | |
dc.date.available | 2022-01-11T09:33:40Z | |
dc.date.issued | 2016-12-16 | |
dc.identifier.issn | 23105496 | |
dc.identifier.uri | http://hdl.handle.net/123456789/6942 | |
dc.description | 18p:, ill. | en_US |
dc.description.abstract | In this paper we highlight the experience of music in everyday contexts in Ghana. Using the Experience Sampling Method (ESM) and semi-structured interviews, we examined how people experience and use music in everyday life in potentially beneficial ways to enhance subjective wellbeing. In contrast to previous research where music’s self-regulatory role has been highlighted primarily in the context of solitary music listening, for the participants in our study music also played a crucial role as a form of social and participatory performance practice. This was particularly evident in the strong connection between music, religion, and social dance | en_US |
dc.language.iso | en | en_US |
dc.publisher | University of Cape Coast | en_US |
dc.subject | Ghana | en_US |
dc.subject | Music experience | en_US |
dc.subject | Wellbeing | en_US |
dc.subject | Everyday life | en_US |
dc.subject | Experience sampling method (ESM) | en_US |
dc.title | Music and wellbeing in everyday life: An exploratory study of music experience in Ghana | en_US |
dc.type | Article | en_US |