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dc.contributor.author Twamasi, Ethelbert
dc.date.accessioned 2019-04-06T14:49:29Z
dc.date.available 2019-04-06T14:49:29Z
dc.date.issued 2013-07
dc.identifier.issn 23105496
dc.identifier.uri http://hdl.handle.net/123456789/3623
dc.description vii,157p:; ill en_US
dc.description.abstract In trying to expand the modern post-tonal music practices and techniques, using traditional idioms, this work is focused on Apatampa dance music (a recreational dance of the Fante people in the Central Region of Ghana) in an original composition named ‘The Fruits of Apatampa.’ The study seeks to explore the rhythmic resources of Apatampa dance music in a contemporary art composition. It blends new trends in contemporary art compositions with traditional drum idioms found in Apatampa dance music to generate a post-tonal music. Considering the nature of the study, participant observation, interviews, video recording, modern musical composition techniques and documentary search are included in the data collection en_US
dc.language.iso en en_US
dc.publisher University of Cape Coast en_US
dc.subject Traditional Idoms en_US
dc.subject Apatampa en_US
dc.subject Dance en_US
dc.title The friuts of Apatampa en_US
dc.type Thesis en_US


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