The trickster as a semiotic figure for construing postcolonial experience: Kwakye’s “The Clothes of Nakedness”

Mwinlaaru, Isaac N.; Nkansah, Samuel K.

dc.contributor.author	Mwinlaaru, Isaac N.
dc.contributor.author	Nkansah, Samuel K.
dc.date.accessioned	2021-11-29T10:47:50Z
dc.date.available	2021-11-29T10:47:50Z
dc.date.issued	2018
dc.identifier.issn	23105496
dc.identifier.uri	http://hdl.handle.net/123456789/6564
dc.description	20p:, ill.	en_US
dc.description.abstract	This essay examines an instance of the use of folklore by writers in postcolonial African societies to problematize postcolonial systems in fiction. The essay discusses how Benjamin Kwakye exploits the trickster character as a semiotic figure to construe the themes of survival and social and economic insecurity in The Clothes of Nakedness. The features of the trickster deployed include the spider imagery and his webbing across geographical margins, the use of trickery and manipulation as survival and power-building strategies, and the role of the trickster as a “heros camp” and villain. Towards the end of the narrative, the trickster is removed from focalization, and villainous events he engineers are construed as happening in spite of him. He remerges at the end as the ubiquitous spider in whom all mysteries make sense. These strategies are related to postcolonial issues of corruption, socioeconomic marginalization, and international aid	en_US
dc.language.iso	en	en_US
dc.publisher	University of Cape Coast	en_US
dc.subject	African continuities	en_US
dc.subject	African literature	en_US
dc.subject	Narrative style	en_US
dc.subject	Orality	en_US
dc.subject	Postcolonial literature	en_US
dc.subject	Trickster tale	en_US
dc.title	The trickster as a semiotic figure for construing postcolonial experience: Kwakye’s “The Clothes of Nakedness”	en_US
dc.type	Article	en_US