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Bemoaning of love: An aspect of Ga women’s discourse on love in Adaawe song- texts

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dc.contributor.author Kubi, Benjamin Kubi
dc.date.accessioned 2021-12-09T12:45:41Z
dc.date.available 2021-12-09T12:45:41Z
dc.date.issued 2018-04-30
dc.identifier.issn 23105496
dc.identifier.uri http://hdl.handle.net/123456789/6723
dc.description 8p:, ill. en_US
dc.description.abstract Love, as a subject, has received a lot of attention in literature, particularly poetry. This is probably because poetry is traditionally seen as the creative exploration and expression of an individual’s emotion and passion. A genre of Ga oral poetry that has love as its primary subject is the adaawe songs which are sung by Ga maidens. This paper examines an aspect of Ga women’s discourse on love in the songs. Particularly, it examines how love is bemoaned. This was done based on the premise that, as a creative exploration and expression of individuals’ emotions and passions, adaawe songs contribute a unique commentary on the subject of love. Songs which were recorded and transcribed, as well as songs collected from Hamond’s (1970) Obɔade Lalai were analysed, paying attention to content and style. The analysis revealed that love is usually bemoaned when there is lack of continuous interest in a persona by the other party in a love relationship, or when there is a betrayal of love en_US
dc.language.iso en en_US
dc.publisher University of Cape Coast en_US
dc.subject Bemoan en_US
dc.subject Discourse en_US
dc.subject Love en_US
dc.subject Oral poetry en_US
dc.subject Oral literature en_US
dc.title Bemoaning of love: An aspect of Ga women’s discourse on love in Adaawe song- texts en_US
dc.type Article en_US


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