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Music and wellbeing in everyday life: An exploratory study of music experience in Ghana

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dc.contributor.author Carl, Florian
dc.contributor.author Kutsidzo, Rosemond
dc.date.accessioned 2022-01-11T09:33:40Z
dc.date.available 2022-01-11T09:33:40Z
dc.date.issued 2016-12-16
dc.identifier.issn 23105496
dc.identifier.uri http://hdl.handle.net/123456789/6942
dc.description 18p:, ill. en_US
dc.description.abstract In this paper we highlight the experience of music in everyday contexts in Ghana. Using the Experience Sampling Method (ESM) and semi-structured interviews, we examined how people experience and use music in everyday life in potentially beneficial ways to enhance subjective wellbeing. In contrast to previous research where music’s self-regulatory role has been highlighted primarily in the context of solitary music listening, for the participants in our study music also played a crucial role as a form of social and participatory performance practice. This was particularly evident in the strong connection between music, religion, and social dance en_US
dc.language.iso en en_US
dc.publisher University of Cape Coast en_US
dc.subject Ghana en_US
dc.subject Music experience en_US
dc.subject Wellbeing en_US
dc.subject Everyday life en_US
dc.subject Experience sampling method (ESM) en_US
dc.title Music and wellbeing in everyday life: An exploratory study of music experience in Ghana en_US
dc.type Article en_US


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